Miyazaki’s Pacifist Nationalism

yoko_out

Over at JPGB I belatedly review Hayao Miyazaki’s last movie, The Wind Rises:

Jiro knows that he and his team of builders can help catapult Japan out of the economic ghetto. They can feed the hungry children of Japan by building planes – planes that will be used to bomb the children of China….

The attempted tragedy of this movie – we must build our dreams even though they’re used for evil – fails because it is trying to escape from an even deeper tragedy: That the demands of justice are uncompromising and inescapable, that we do not have the option of building planes and then sighing with regret that they’re used for a war of aggression.

We cannot have our cake and eat it, too; we cannot hate or regret injustice and at the same time hate or regret politics.

Inside Out: A Renewed American Culture

 They came to help

John Lasseter’s Disney – the Pixar he founded and the Walt Disney Animation Studios he has reformed – are becoming the new source and center of a renewed, and in some ways simply new, American culture. They are the only major institution in the American public square that 1) teaches people the meaning of life, and 2) has the ear of virtually everyone. And the lessons they teach are entirely edifying.

They are slowly but surely turning our dying culture inside out.

They teach us the meaning of death (Toy Story 2) and love (Frozen) and the heroic (The Incredibles) and manhood (UP) and womanhood (Brave) and parenthood (Finding Nemo) and brotherhood (Toy Story) and politics (Toy Story 3) and commerce (WALL-E) and art (Ratatouille) and science (Big Hero 6). No one else teaches these things and is listened to receptively by all sectors of society.

What else do you want? They are becoming the source and center of a new, and renewed, American culture.

As I’ve said before, these people are playing to win.

I am aware that you cannot build a culture only on movies. Questions of authority, and hence of the role of religion, cannot be avoided forever. It remains an open question what will happen when the renewed America of John Lasseter’s Disney clashes with the dying America of Obergefell and Burwell – those cases being as good a couple of proxies as any for the roles of Keymaster and Gatekeeper to our forthcoming Gozer the Gozerian (featuring special guest star Donald Trump as the Stay-Puft Marshmallow Man).

I hope and expect that diligent work by the church in the coming decade, work to love America with a holy love and convict America with a loving holiness, will position us for a positive outcome. That positive outcome is not a cultural victory of Christians over non-Christians; what does that idea even mean? A positive outcome would be a new moral consensus between Americans of goodwill and different faiths.

Joy fighting sadness

It’s interesting that I’m hearing a lot of people talk about this article, which boils down to “Pixar is a tool of the capitalist oppressor.” The apostles of materialism are right to be mad at the New Disney. People today feel a deep moral disconnect in their daily lives. The materialists, whether in or out of power, rely on that. Those in power rely on it to keep our energies sapped and our minds sluggish; revolutionaries know that it’s the only thing that makes their call for an overthrow of the political and economic system seem either plausible or legitimate. Anything that helps people redraw moral connections in their daily lives without either merely going with the flow or overthrowing democratic capitalism is a deadly poison to them both. We should anticipate that all efforts at moral edification in the public square will be opposed by them, revolutionary and reactionary alike.

But they will be supported by all the non-materialists, which is to say, the overwhelming majority; and, just as important, they are already finding a home in centers of cultural power like Disney.

Now to the business at hand. If you liked my 21 word review of Inside Out, you’re going to love the next 4,000.

(Spoilers ahead!)

Continue reading