The Past Jedi

Spoilers ahoy.

In my review of The Force Awakens two years ago, the following propositions were asserted:

  1. Dualistic Fatalism: The plot similarities between TFA and A New Hope were not a defect, but a natural extension of the franchise’s Zoroasterism; good and evil locked in an eternally recurring battle. Some of Maz’s dialogue at least suggested this was intentional.
  2. Cultural Barometer: As a pagan franchise, Star Wars provides as good a window as any into the state of our increasingly pagan culture.
  3. Boomer Regrets: Where the point of Darth Vader was that Boomers were afraid their parents were evil, the point of Kylo Ren is that Boomers are afraid their children are evil – and that it’s their fault, for breaking up the family.
  4. The Family Awakens: TFA was part of a broader cultural movement in which the dominant forces of feminism were/are retrenching their positions to accommodate the family.

In the review of The Last Jedi below, the following propositions are asserted:

  1. Control-G on All Counts!

This is actually two movies. One movie is called The Trials of Rey, Jedi Knight. The other movie is called Eat Arby’s.

After I saw TLJ the second time, I found myself waiting for my daughter to come out of the bathroom. I was sitting next to one of those big cardboard standup movie promotions. This one had an enormous (larger than life-sized) image of Dwayne Johnson’s face. As I watched, a gaggle of little kids came up and, giggling like maniacs, stuck their fingers into the image of The Rock’s nostrils.

I thought: This is both more intelligent and more entertaining than 50% of The Last Jedi.

There’s not much point reviewing the insulting stupidity of literally everything – plot, dialogue, characterization, continuity – in the Eat Arby’s movie. One point does feel worth dwelling on, however.

A heroic self-sacrificial death for Finn would simultaneously have been a perfect conclusion of his character arc, provided this half of the movie with the earned gravitas it desperately needed, and represented a real risk-taking break with expectations as opposed to a faux one. It would have been immensely powerful. Someone has said it would have been up there with Han going into the carbonite as an iconic moment.

But apparently self-sacrifice is only heroic when feminists with purple hair do it.

The cop-out about how Finn shouldn’t die in battle to save those he loves because that’s not saving what we love, or whatever, instantly reminded me of this line from G.K. Chesterton: “Sham love ends in compromise and common philosophy; but real love has always ended in bloodshed.”

I will also say this. Finn was the only character in TFA whose backstory was really new. And it’s not just any backstory. He is an escaped slave played by a black man. How he’s handled is important for reasons that go beyond Star Wars. There is a greater responsibility to do right by this character. Remember that moment when Maz totally has Finn’s number and is trying to shame him, and Finn leans over the table and says “you don’t know me, you don’t know who I am, what I’ve seen.” Remember that? That moment is there for a reason, people.

As I left the theater after TLJ, I wondered how many black people are bothered that Anglo progressives exploit their ancestors’ suffering to promote ideas and causes that are not only unrelated to, but (as here) often inimical to, black advancement. But that’s none of my business.

So let’s talk about The Trials of Rey, Jedi Knight.

As in TFA, the obvious and very extensive plot recycling from the original trilogy in TLJ is a feature, not a bug. It represents the eternally recurring fate of light and dark. As before, dialogue (Snoke’s this time) suggests the filmmakers know what they’re doing in this regard.

I also don’t think Rey’s surprisingly fast power-up is that big a deal. It’s part of the point of the movie. As Yoda says to Luke, “we are the ones they surpass.” Rey is some kind of prodigy from nowhere whose power will remake everything. Yes, maybe they overdid it, exposing them to some legit “Master the Force in Three Easy Lessons!” gags. But it’s not a huge problem if you realize the full significance of the fact that Rey isn’t just another Skywalker in line for the family lineage.

Where TFA was about the family, TLJ is about the past. We need the wisdom of the past, but the corruption of the past threatens to destroy us.

Luke wants to destroy the past in sorrow, because he fears his own failures. But Kylo Ren also wants to “destroy the past,” and he shows where that path always leads. The attempt to become the self-creating Nietzschean superman only produces monsters. We cannot, in fact, make ourselves. We cannot be anything other than what the past has made us. “I cannot deny my past to which my self is wed/The woven figure cannot undo its thread.” (Louis MacNeice, “Valediction”)

In both movies, feminism is retrenched to permit the real human needs that legacy feminism had denied us. Vice Admiral Purple Hair can’t bear to pass up the opportunity to humiliate a male subordinate, so as a direct result of her poor leadership, thousands are slaughtered. No, I don’t think that’s the lesson the filmmakers intended us to take, but the film does work well if we thus interpret. (As someone has pointed out, humiliating Poe once would have been fine; doing it a second time manifests a desire to humiliate not him, but us, the audience.)

By contrast, Rey comes to Luke needing a teacher. He won’t teach her because the past is unworthy. So what does she do? She steals the Jedi library! She will not be denied the wisdom she needs simply because it comes from the corrupt male-dominated past. Girl power!

Rey acts with such audacity because she is, as I have said, the prodigy who will change everything. It’s not a good idea for just anyone to overturn the tables in the temple, but it’s a good idea to do it if you’re Jesus.

I thought the scene in the dark side cave also made this point. Rey penetrates the essential self-referential emptiness of evil, which nullifies the meaning of things by removing transcendent frames of reference (that, I take it, is the point of the trans-temporal cause-effect chain of Reys, and of seeing herself in the stone at the end) and walks away relatively unscathed. Rey doesn’t struggle with inner demons the way Luke did.

And Yoda confirms Rey’s mandate to overturn the tables in the Jedi temple by burning the temple down. This is the implication of Luke’s first lesson for Rey, the vanity of thinking that the elemental powers of good and evil in the universe depend on our institutions and structures. The Jedi can indeed be burned down, and good will endure.

Yoda’s lesson for Luke, in turn, is that the failures of the old provide the greatest lessons for the new, and thus the old have much to pass on to the young regardless of their failures. When the old is merely destroyed and no more than that, the result is Kylo Ren. The determination of legacy feminism, and the other radical ideologies that rule our culture, to simply burn down the past without taking the books, is the cause of all our Kylo Rens.

But when the old do not merely abandon their posts, when they depart in such a way as to pass on their wisdom to the young, as Luke does on the salt planet (watch the ground under his feet!), the old provide the seed of the new – and, in so doing, they do not actually pass away at all.

They become more powerful than you can possibly imagine.

Ending the Holy War

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Today I wrap up my series on work as holy war at TGR. The cosmic (God’s war with Satan for the fate the world) and the personal (my experience of my daily work) converge in prayer:

Notice that Willard does not ask us to pray for (that is, have an inward attitude of constant prayer for) the other people involved in our work. He tells us to love those people, and I think it is assumed that loving them includes praying for them. But that is not the prayer he emphasizes.

Willard calls us to pray for the work itself. As important, he calls us to pray not just for our own personal work or even for the work of our own organization or group, but for all work of that type…Hence accountants ought to pray not only for their own accounting and accounting firms but for honest accounting itself. That is the war, or at least the part of it in which accountants are involved through their work.

Dallas Willard begins his two-sentence summary of what we’re called to in our work with resistance to evil, then service, then prayer for the work, and finally:

And what is it a war for? “Genuine love for everyone involved.” That is, simultaneously, a summary statement of what we are each individually called to enact in every daily task, however small, and a summary statement of what God is fighting for against Satan.

Would love to hear your comments, including suggestions for my next TGR series!

On Moore and on Transformation – TransMooreation?

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Two pieces live today – on TGC I look at how our lack of an eschatological perspective on the fate of both the church and our nations has contributed to the Roy Moore disaster:

One of the most intense experiences in my life was about 10 years ago, when a dear friend told me his teenage son was starting to drift toward political extremism. He asked if I could help. I knew his son and had no difficulty turning my next conversation with him toward politics, and sure enough, he was moving toward destructive ideas.

“But don’t you think,” he said, in response to some cautionary word I had offered him, “that America is on the brink of becoming a fascist dictatorship?”

“I think,” I replied, “that every nation is always on the brink of becoming a fascist dictatorship.”

His face changed so dramatically I could almost see the light bulb appear over his head.

Don’t miss the shout-outs to Chuck Colson and Whittaker Chambers.

And Christian History‘s issue on Faith in the City carries a piece (adapted from my work at TGR) on how the transformative love of God builds up the kingdom to seek justice, holiness and grace in a way that impacts our communities:

I want to propose a reversal of our inadequate models of the Kingdom that will bear some resemblance to death and resurrection.

Let me know what you think!

Constitutional Cake Micrometers

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“Hello, I’m here to measure the speechiness level of your cake.”

One reason George Will was a hero to me when I was younger was his lampooning of judicial nonsense in the service of wicked ends. I remember in particular a column of his from the 1980s, which I read in college in a collection, in which he lambasted the Supreme Court’s micromanagement of Christmas displays. Nativity scenes were banished at first, then they were brought back – provided they were displayed in close proximity to secular junk like Santas and snowmen. But this raised the quesiton of exactly how close together the shepherds and reindeer would have to be for the display to be permissible.

Will mocked the court for determining what is legal by bringing a “constitutional micrometer” to measure every local display.

Today, Will admits that cakes are sometimes speech, and then brings out a constitutional micrometer that he wants the court to use to measure every individual cake – to see whether it’s speechy enough to deserve protection.

Because God forbid we let people just be free to decide for themselves what jobs they will and won’t do.

The underlying problem here is America’s original sin of slavery. We had no choice but to compromise the principles of freedom to set our social order aright in the civil rights era. I still think, in spite of everything, that was the right thing to do. But I am increasingly sympathetic with people like Barry Goldwater, who warned what would happen once we started compromising the principles of freedom. And now even George Will has gone over.

All I can say is this: Fondly do we hope, fervently do we pray, that this mighty scourge of creeping totalitarianism in the name of “civil rights” may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman’s two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the police state, as was said three thousand years ago, so still it must be said: “The judgments of the Lord are true and righteous altogether.”

Holy War by Serving God and Others

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My latest on work as holy war is up at TGR. I look at how service to others is the reason work is at the heart of the church’s holy war against Satan:

Work serves others both directly and indirectly. We provide a direct service to the customer, client or other immediate recipient of our work. And we indirectly serve our households (by bringing home a paycheck and in other ways) as well as bosses, coworkers and others who are affected. Ephesians 4:28 affirms both these forms of service, emphasizing that we must do something that provides direct service (“doing something useful”) but also identifying indirect service (the paycheck is “something to share with those in need”) as the purpose of the work. Indeed, the indirect service of the paycheck for the household is usually a stronger emphasis in Paul than the direct service.

Above all, service to others means service to God first, and service to our neighbor by serving God first:

I wouldn’t want to hinder spiritually marginal people from moving toward the kingdom by implying that service to neighbor is simply worthless on its own terms. As C.S. Lewis has wisely said, every road out of Jerusalem is also a road into Jerusalem. There are many who have discovered that service to Christ must come first after they initially strove only to serve their neighbors, and then followed that golden thread to its source.

But neither would I want to cut off the thread from its source. The gap between service to neighbor that is and is not service to God first is a difference of kind, not degree. One is lifted by the Spirit over the chasm between the kingdom of self and the kingdom of God, or else not. And every moment of every day on the job is another choice between kingdoms.

You can serve God and others by letting me know what you think!